Caroline MacPhie
Caroline MacPhie

ABOUT

Welcome to the website of British soprano Caroline MacPhie

Described as a singer with ‘flair, style and imagination’ (The Telegraph), Caroline is a versatile artist, performing in repertoire from Monteverdi to Max Richter with companies such as Opéra de Lyon, Royal Opera House, Opera North and Scottish Opera. In concert she has performed with leading ensembles including Hallé, Hanover Band, Liverpool Philharmonic Orchestra and Philharmonia. A committed recitalist, her latest album ‘Love said to me….’, with pianist Joseph Middleton, was released in September 2014 to critical acclaim both here and abroad.

UPCOMING EVENTS

Reviews

…the highly accomplished Caroline MacPhie…

Roger Jones
Gloucestershire Echo (Cheltenham Festival with the Elias Quartet & Tom Poster, 2011)

…the electricity of the girls singing Mercedes and Frasquita.

The Herald (Carmen, Scottish Opera, 2010)

The whole cast in Nancy reaches perfection, starting with the small roles performed with panache, namely Caroline MacPhie…

Yannick Boussaert
Forum Opera (Katya Kabanova, Opéra National de Lorraine, 2018)

The talented Caroline MacPhie…

Alexandra Hamilton-Ayres
Bachtrack (Messiah, Bristol Old Vic, 2013)

Caroline radiated joy and ecstasy…

Seen and Heard International (Cheltenham Festival with the Elias Quartet & Tom Poster, 2011)

…Caroline MacPhie, Rupert Enticknap and Damian Thantrey, all excellent.

Richard Fairman
Financial Times (SUM, Royal Opera House, 2012)

Caroline MacPhie, the only Brit, put over her material with far more dramatic verve than anyone else; her Cunning Little Vixen extract, sung in Czech, was especially gripping.

Richard Morrison
The Times (Final, Kathleen Ferrier Awards, 2009)

Caroline MacPhie portrays in this version a Glasha who is a cleaner rather than a servant. Her diction is executed effectively and she carries her high notes well whilst she toils away…

Céline Wadoux
Olyrix (Katya Kabanova, Opéra National de Lorraine, 2018)

What impresses about the evening is not just how well the performers accomplish their difficult tasks but how integrated the whole show is.

George Hall
The Stage (SUM, Royal Opera House, 2012)

Special mention must go to MacPhie’s performance as Pamina. Her solos were breathtaking and she manages to convey the many emotions required for this part.

Barbara Maxwell
Whats On Stage (The Magic Flute, Bristol Tobacco Factory, 2013)