Described as a singer with ‘flair, style and imagination’ (The Telegraph), Caroline is a versatile artist, performing in repertoire from Monteverdi to Max Richter with companies such as Opéra de Lyon, Royal Opera House, Opera North and Scottish Opera. In concert she has performed with leading ensembles including Hallé, Hanover Band, Liverpool Philharmonic Orchestra and Philharmonia. A committed recitalist, her latest album with pianist Joseph Middleton ‘Love said to me….’, with song repertoire from the 20th century to the present day, was released to critical acclaim both here and abroad.
Her poised voice has strong high notes, complimenting her excellent diction.
…the quality of the three ladies, Caroline MacPhie, Heather Newhouse and Dorothea Spilger, who bring grace and intelligence to the vocal line and the text.
…Caroline MacPhie whose acting must be applauded as well as her far too brief vocal performance.
Caroline MacPhie, the only Brit, put over her material with far more dramatic verve than anyone else; her Cunning Little Vixen extract, sung in Czech, was especially gripping.
Three committed and accomplished soloists – Caroline MacPhie, Damien Thantrey and Rupert Enticknap – move like priests or mentors among us, reciting and reflecting.
…as Susanna, Caroline MacPhie reveals a clear soprano and excellent enunciation in a performance that proves to be just as sharp as the character.
Caroline radiated joy and ecstasy…
The lovely, sweet toned Papagena, Caroline MacPhie…
But my personal favourite was the Lancashire-born Caroline MacPhie. Her light-lyric instrument was clean-toned and perfectly tuned, and she delivered an enterprisingly original programme… with flair, style and musical imagination.
Caroline MacPhie portrays in this version a Glasha who is a cleaner rather than a servant. Her diction is executed effectively and she carries her high notes well whilst she toils away…