Described as a singer with ‘flair, style and imagination’ (The Telegraph), Caroline is a versatile artist, performing in repertoire from Monteverdi to Max Richter with companies such as Opéra de Lyon, Royal Opera House, Opera North and Scottish Opera. In concert she has performed with leading ensembles including Hallé, Hanover Band, Liverpool Philharmonic Orchestra and Philharmonia. A committed recitalist, her latest album with pianist Joseph Middleton ‘Love said to me….’, with song repertoire from the 20th century to the present day, was released to critical acclaim both here and abroad.
The lovely, sweet toned Papagena, Caroline MacPhie…
Her bright, light lyrical soprano voice… also has dramatic bite. The performance is imaginative and eloquent…
…as Susanna, Caroline MacPhie reveals a clear soprano and excellent enunciation in a performance that proves to be just as sharp as the character.
The Queen’s daughter, the cause of the friction between the Queen and Sarastro, was portrayed beautifully by Caroline MacPhie. She brought to the role a lovely mixture of obedience to her mother, and the emerging desires of a bright young woman.
Caroline MacPhie, the only Brit, put over her material with far more dramatic verve than anyone else; her Cunning Little Vixen extract, sung in Czech, was especially gripping.
One must also mention the performance of the beautiful Caroline MacPhie in the (far too brief) role of a young girl…
Caroline MacPhie sang Berenice’s difficult music surely and truly….in the aria she spun her notes into touching, lovely lines.
But my personal favourite was the Lancashire-born Caroline MacPhie. Her light-lyric instrument was clean-toned and perfectly tuned, and she delivered an enterprisingly original programme… with flair, style and musical imagination.
…Caroline MacPhie and David Jones….both excellent.
MacPhie sings with haunting sensitivity and emotional engagement… This lovely disc marks the arrival of a fine young recitalist.