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Frasquita\u00a0<\/strong>Carmen<\/h4>\nBizet<\/b><\/h3>\n
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Miss Wordsworth<\/strong>\u00a0Albert Herring<\/i><\/h4>\nBritten<\/b><\/h3>\n
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Premi\u00e8re ni\u00e8ce\u00a0<\/strong>Peter Grimes<\/i><\/h4>\nBritten<\/b><\/h3>\n
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Norina<\/strong>\u00a0Don Pasquale<\/i><\/h4>\nDonizetti<\/b><\/h3>\n
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Cl\u00e9op\u00e2tre<\/strong>\u00a0Jules C\u00e9sar<\/em><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Nerina<\/strong>\u00a0La Fedelt\u00e0 Premiata<\/i><\/h4>\nH<\/b>aydn<\/b><\/h3>\n
<\/p>\n
Taumann<\/strong>\u00a0H\u00e4nsel et Gretel<\/i><\/h4>\nHum<\/b>perdinck<\/b><\/h3>\n
<\/p>\n
Renarde<\/strong> La<\/em>\u00a0petite renarde rus\u00e9e<\/i><\/h4>\nJan\u00e1\u010dek<\/b><\/h3>\n
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Daphne<\/strong>\u00a0The Airman\u2019s Tale<\/i><\/h4>\nG. McBurney<\/b><\/h3>\n
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Euridice, Ninfa<\/strong>\u00a0Orfeo<\/i><\/h4>\nMonteverdi<\/b><\/h3>\n
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Pamina, 1\u00e8re Dame, Papagena<\/strong>\u00a0La fl\u00fbte enchant\u00e9e<\/em><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Susanna, Barbarina<\/strong>\u00a0Les noces de Figaro<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Serpina<\/strong>\u00a0La servante ma\u00eetresse<\/i><\/h4>\nPergolesi<\/b><\/h3>\n
<\/p>\n
Belinda<\/strong>\u00a0Didon et En\u00e9e<\/i><\/h4>\nPurcell<\/b><\/h3>\n
<\/p>\n
Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
<\/p>\n
Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
<\/p>\n
Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
<\/p>\n
Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
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Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Britten<\/b><\/h3>\n
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Premi\u00e8re ni\u00e8ce\u00a0<\/strong>Peter Grimes<\/i><\/h4>\nBritten<\/b><\/h3>\n
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Norina<\/strong>\u00a0Don Pasquale<\/i><\/h4>\nDonizetti<\/b><\/h3>\n
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Cl\u00e9op\u00e2tre<\/strong>\u00a0Jules C\u00e9sar<\/em><\/h4>\nHaendel<\/b><\/h3>\n
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Nerina<\/strong>\u00a0La Fedelt\u00e0 Premiata<\/i><\/h4>\nH<\/b>aydn<\/b><\/h3>\n
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Taumann<\/strong>\u00a0H\u00e4nsel et Gretel<\/i><\/h4>\nHum<\/b>perdinck<\/b><\/h3>\n
<\/p>\n
Renarde<\/strong> La<\/em>\u00a0petite renarde rus\u00e9e<\/i><\/h4>\nJan\u00e1\u010dek<\/b><\/h3>\n
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Daphne<\/strong>\u00a0The Airman\u2019s Tale<\/i><\/h4>\nG. McBurney<\/b><\/h3>\n
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Euridice, Ninfa<\/strong>\u00a0Orfeo<\/i><\/h4>\nMonteverdi<\/b><\/h3>\n
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Pamina, 1\u00e8re Dame, Papagena<\/strong>\u00a0La fl\u00fbte enchant\u00e9e<\/em><\/h4>\nMozart<\/b><\/h3>\n
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Susanna, Barbarina<\/strong>\u00a0Les noces de Figaro<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Serpina<\/strong>\u00a0La servante ma\u00eetresse<\/i><\/h4>\nPergolesi<\/b><\/h3>\n
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Belinda<\/strong>\u00a0Didon et En\u00e9e<\/i><\/h4>\nPurcell<\/b><\/h3>\n
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Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
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Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
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Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
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Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
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Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
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Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
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Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Donizetti<\/b><\/h3>\n
<\/p>\n
Cl\u00e9op\u00e2tre<\/strong>\u00a0Jules C\u00e9sar<\/em><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Nerina<\/strong>\u00a0La Fedelt\u00e0 Premiata<\/i><\/h4>\nH<\/b>aydn<\/b><\/h3>\n
<\/p>\n
Taumann<\/strong>\u00a0H\u00e4nsel et Gretel<\/i><\/h4>\nHum<\/b>perdinck<\/b><\/h3>\n
<\/p>\n
Renarde<\/strong> La<\/em>\u00a0petite renarde rus\u00e9e<\/i><\/h4>\nJan\u00e1\u010dek<\/b><\/h3>\n
<\/p>\n
Daphne<\/strong>\u00a0The Airman\u2019s Tale<\/i><\/h4>\nG. McBurney<\/b><\/h3>\n
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Euridice, Ninfa<\/strong>\u00a0Orfeo<\/i><\/h4>\nMonteverdi<\/b><\/h3>\n
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Pamina, 1\u00e8re Dame, Papagena<\/strong>\u00a0La fl\u00fbte enchant\u00e9e<\/em><\/h4>\nMozart<\/b><\/h3>\n
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Susanna, Barbarina<\/strong>\u00a0Les noces de Figaro<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Serpina<\/strong>\u00a0La servante ma\u00eetresse<\/i><\/h4>\nPergolesi<\/b><\/h3>\n
<\/p>\n
Belinda<\/strong>\u00a0Didon et En\u00e9e<\/i><\/h4>\nPurcell<\/b><\/h3>\n
<\/p>\n
Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
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Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
<\/p>\n
Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
<\/p>\n
Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
<\/p>\n
Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
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Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
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Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
<\/p>\n
Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
<\/p>\n
Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
H<\/b>aydn<\/b><\/h3>\n
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Taumann<\/strong>\u00a0H\u00e4nsel et Gretel<\/i><\/h4>\nHum<\/b>perdinck<\/b><\/h3>\n
<\/p>\n
Renarde<\/strong> La<\/em>\u00a0petite renarde rus\u00e9e<\/i><\/h4>\nJan\u00e1\u010dek<\/b><\/h3>\n
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Daphne<\/strong>\u00a0The Airman\u2019s Tale<\/i><\/h4>\nG. McBurney<\/b><\/h3>\n
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Euridice, Ninfa<\/strong>\u00a0Orfeo<\/i><\/h4>\nMonteverdi<\/b><\/h3>\n
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Pamina, 1\u00e8re Dame, Papagena<\/strong>\u00a0La fl\u00fbte enchant\u00e9e<\/em><\/h4>\nMozart<\/b><\/h3>\n
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Susanna, Barbarina<\/strong>\u00a0Les noces de Figaro<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Serpina<\/strong>\u00a0La servante ma\u00eetresse<\/i><\/h4>\nPergolesi<\/b><\/h3>\n
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Belinda<\/strong>\u00a0Didon et En\u00e9e<\/i><\/h4>\nPurcell<\/b><\/h3>\n
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Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
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Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
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Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
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Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
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Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
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Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
<\/p>\n
Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
<\/p>\n
Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
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Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Jan\u00e1\u010dek<\/b><\/h3>\n
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Daphne<\/strong>\u00a0The Airman\u2019s Tale<\/i><\/h4>\nG. McBurney<\/b><\/h3>\n
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Euridice, Ninfa<\/strong>\u00a0Orfeo<\/i><\/h4>\nMonteverdi<\/b><\/h3>\n
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Pamina, 1\u00e8re Dame, Papagena<\/strong>\u00a0La fl\u00fbte enchant\u00e9e<\/em><\/h4>\nMozart<\/b><\/h3>\n
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Susanna, Barbarina<\/strong>\u00a0Les noces de Figaro<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Serpina<\/strong>\u00a0La servante ma\u00eetresse<\/i><\/h4>\nPergolesi<\/b><\/h3>\n
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Belinda<\/strong>\u00a0Didon et En\u00e9e<\/i><\/h4>\nPurcell<\/b><\/h3>\n
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Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
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Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
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Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
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Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
<\/p>\n
<\/p>\n
<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Monteverdi<\/b><\/h3>\n
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Pamina, 1\u00e8re Dame, Papagena<\/strong>\u00a0La fl\u00fbte enchant\u00e9e<\/em><\/h4>\nMozart<\/b><\/h3>\n
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Susanna, Barbarina<\/strong>\u00a0Les noces de Figaro<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Serpina<\/strong>\u00a0La servante ma\u00eetresse<\/i><\/h4>\nPergolesi<\/b><\/h3>\n
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Belinda<\/strong>\u00a0Didon et En\u00e9e<\/i><\/h4>\nPurcell<\/b><\/h3>\n
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Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
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Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
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Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n
Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Mozart<\/b><\/h3>\n
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Serpina<\/strong>\u00a0La servante ma\u00eetresse<\/i><\/h4>\nPergolesi<\/b><\/h3>\n
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Belinda<\/strong>\u00a0Didon et En\u00e9e<\/i><\/h4>\nPurcell<\/b><\/h3>\n
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Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
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Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
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Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
<\/p>\n
Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
<\/p>\n
<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n
Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Purcell<\/b><\/h3>\n
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Soprano<\/strong>\u00a0SUM<\/i><\/h4>\nMax Richter<\/b><\/h3>\n
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Berenice<\/strong>\u00a0L\u2019occasione fa il ladro<\/i><\/h4>\nRossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
<\/p>\n
Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
<\/p>\n
Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
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Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
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Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
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Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Rossini<\/b><\/h3>\n
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Une jeune fille<\/b>\u00a0Les stigmatis\u00e9s<\/em><\/h4>\nSchreker<\/b><\/h3>\n
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Anne<\/strong>\u00a0Une petite musique de nuit<\/em><\/h4>\n\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
<\/p>\n
Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
<\/p>\n
Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
<\/p>\n
Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
<\/p>\n
<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
<\/p>\n
Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
\u00a0Sondheim<\/b><\/h3>\n
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Barbara<\/strong>\u00a0Une nuit \u00e0 Venise<\/em><\/h4>\nJ. Strauss (II)\u00a0<\/b><\/h3>\n
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Lucy<\/strong>\u00a0L’op\u00e9ra de quatr’sous<\/em><\/h4>\nWeill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
<\/p>\n
Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
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Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
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Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
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Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Weill<\/b><\/h3>\n
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Soprano<\/strong> King Harald’s Saga<\/i><\/h4>\nJudith Weir<\/strong><\/h3>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
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Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
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Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
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R\u00f4les chant\u00e9s en partie \/ r\u00f4les en pr\u00e9paration :<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Marzelline\u00a0<\/strong>Fidelio<\/em><\/h4>\nBeethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
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Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
<\/p>\n
Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
<\/p>\n
<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n
Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
<\/p>\n
Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Beethoven<\/h3>\n
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Gouvernante\u00a0<\/strong>Le tour d’\u00e9crou<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
Helena <\/strong>Le songe d’une nuit d’\u00e9t\u00e9<\/em><\/h4>\nBritten<\/h3>\n
<\/p>\n
M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
<\/p>\n
Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
<\/p>\n
Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
<\/p>\n
Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
<\/p>\n
<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
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Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
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Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
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Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
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Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
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Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Britten<\/h3>\n
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M\u00e9lisande<\/strong>\u00a0Pell\u00e9as et M\u00e9lisande<\/em><\/h4>\nDebussy<\/h3>\n<\/h4>\n
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Eurydice<\/strong>\u00a0Orph\u00e9e et Eurydice<\/i><\/h4>\nGl\u00fcck<\/b><\/h3>\n
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Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
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Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
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Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
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Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
<\/h4>\n
Gl\u00fcck<\/b><\/h3>\n
<\/p>\n
Alcina<\/strong>\u00a0Alcina<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Polissena<\/strong>\u00a0Radamisto<\/i><\/h4>\nHaendel<\/b><\/h3>\n
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Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
<\/p>\n
Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
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<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
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Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
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Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
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Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
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Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
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Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
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Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
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Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
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Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
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Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
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Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Haendel<\/b><\/h3>\n
<\/p>\n
Asteria<\/strong>\u00a0Tamerlano<\/i><\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Gretel<\/strong>\u00a0H\u00e4nsel et Gretel<\/em><\/h4>\nHumperdinck<\/h3>\n
<\/p>\n
Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
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<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
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Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
<\/p>\n
<\/p>\n
<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nMozart<\/b><\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
<\/p>\n
Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
<\/p>\n
Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n
R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Humperdinck<\/h3>\n
<\/p>\n
Despina<\/strong>\u00a0Cos\u00ec fan tutte<\/i><\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Ilia<\/strong>\u00a0Idomeneo<\/i><\/h4>\nMozart<\/b><\/h3>\n<\/h3>\n
<\/p>\n
<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
<\/p>\n
<\/p>\n
<\/h4>\n<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
<\/p>\n
Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
<\/p>\n
Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n
R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Mozart<\/b><\/h3>\n<\/h3>\n
<\/p>\n
<\/h3>\nElle<\/strong>\u00a0La voix humaine<\/em><\/h4>\nPoulenc<\/strong><\/h3>\n<\/h3>\n
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Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
<\/p>\n
<\/p>\n
<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
<\/p>\n
Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
<\/p>\n
Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
<\/p>\n
Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Poulenc<\/strong><\/h3>\n<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n
Oratorio & R\u00e9pertoire avec orchestre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbConcert & Oratorio\u00a0\u00bb background_color=\u00a0\u00bb#fcfcfc\u00a0\u00bb color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Magnificat<\/h4>\nCPE Bach<\/b><\/h3>\n
<\/p>\n
Magnificat en r\u00e9 majeur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Messe en si mineur<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Matthieu<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Passion selon Saint Jean<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Cantate BWV 51<\/h4>\n(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nBrahms<\/b><\/h3>\n
<\/p>\n
Messe en ut<\/h4>\nBeethoven<\/b><\/h3>\n
<\/p>\n
<\/p>\n
<\/h4>\n<\/h3>\n<\/h4>\n
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Te Deum<\/h4>\nCharpentier<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nFaur\u00e9<\/b><\/h3>\n
<\/p>\n
Athalia (r\u00f4le titre)<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Le Messie<\/h4>\nHaendel<\/b><\/h3>\n
<\/p>\n
Messe Nelson<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Scena di Berenice<\/h4>\nHaydn<\/b><\/h3>\n
<\/p>\n
Credo Messe<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Litaniae de venerabili altaris Sacramento<\/h4>\nMozart<\/b><\/h3>\n
<\/p>\n
Requiem<\/h4>\nMozart<\/b><\/h3>\n
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<\/h3>\nExsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
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Vesperae Solennes de Confessore<\/h4>\nMozart<\/b><\/h3>\n
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Gloria<\/h4>\nPoulenc<\/b><\/h3>\n
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Stabat Mater<\/h4>\nSzymanowski<\/b><\/h3>\n
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Gloria<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Nulla in mundo pax<\/h4>\nVivaldi<\/b><\/h3>\n
<\/p>\n
Dona Nobis Pacem<\/h4>\nVaughan Williams<\/b><\/h3>\n
<\/p>\n
Sinfonia Antartica<\/h4>\nVaughan Williams<\/b><\/h3>\n
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R\u00e9cital et musique de chambre<\/h2>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbexpandable\u00a0\u00bb in_content_menu=\u00a0\u00bbin_content_menu\u00a0\u00bb content_menu_icon=\u00a0\u00bb\u00a0\u00bb text_align=\u00a0\u00bbcenter\u00a0\u00bb button_position=\u00a0\u00bbcenter\u00a0\u00bb content_menu_title=\u00a0\u00bbOpera\u00a0\u00bb background_color=\u00a0\u00bb#f7f7f7″ color=\u00a0\u00bb#686868″ hover_color=\u00a0\u00bb#9e9e9e\u00a0\u00bb more_button_label=\u00a0\u00bbD\u00e9couvrir le r\u00e9pertoire\u00a0\u00bb less_button_label=\u00a0\u00bbR\u00e9duire\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Lieder<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
CPE Bach<\/b><\/h3>\n
JS Bach<\/b><\/h3>\n
JS Bach<\/b><\/h3>\n
JS Bach<\/b><\/h3>\n
JS Bach<\/b><\/h3>\n
(Jauchzet Gott in allen Landen)<\/h4>\nJS Bach<\/b><\/h3>\n
Brahms<\/b><\/h3>\n
Beethoven<\/b><\/h3>\n
<\/h3>\n<\/h4>\n
Charpentier<\/b><\/h3>\n
Faur\u00e9<\/b><\/h3>\n
Haendel<\/b><\/h3>\n
Haendel<\/b><\/h3>\n
Haydn<\/b><\/h3>\n
Haydn<\/b><\/h3>\n
Mozart<\/b><\/h3>\n
Mozart<\/b><\/h3>\n
Mozart<\/b><\/h3>\n
Exsultate Jubilate<\/h4>\nMozart<\/b><\/h3>\n
Mozart<\/b><\/h3>\n
Poulenc<\/b><\/h3>\n
Szymanowski<\/b><\/h3>\n
Vivaldi<\/b><\/h3>\n
Vivaldi<\/b><\/h3>\n
Vaughan Williams<\/b><\/h3>\n
Vaughan Williams<\/b><\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSechs Lieder (Op.48)<\/h4>\nGrieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Grieg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nVier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Vier Lieder (Op.2)<\/h4>\nSchoenberg<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder (Op.12)<\/h4>\nClara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Clara Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nLiederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Liederkreis (Op.39)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSechs Lieder (Op.107)<\/h4>\nRobert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Robert Schumann<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nF\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
F\u00fcnf Lieder (Op.4)<\/h4>\nEthyl Smyth<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBlumenm\u00e4dchen (Op.22)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
R. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDrei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Drei Lieder der Ophelia (Op. 67)<\/h4>\nR. Strauss<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
M\u00e9lodie<\/b><\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs lieder de Brahms, Mozart, Schubert, Strauss et Wolf<\/h3>\n
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M\u00e9lodie<\/b><\/h4>\n
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<\/h4>\nAriettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Ariettes oubli\u00e9es<\/h4>\nDebussy<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u00a0Sept chansons pour Gladys<\/h4>\nKoechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Koechlin<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Fian\u00e7ailles pour rire<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDeux po\u00e8mes de Louise Aragon<\/h4>\nPoulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Poulenc<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Et plusieurs m\u00e9lodies de Berlioz, Chausson, Faur\u00e9, Milhaud et Roussel<\/h3>\n<\/h4>\n
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Chants anglais<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
<\/h4>\nA Garland for Marjory Fleming<\/h4>\nR.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
R.R. Bennett<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nOn This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
On This Island<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Am\u2019rous Sighs<\/h4>\nDove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Dove<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nTwo Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
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<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Two Shakespeare Songs<\/h4>\nFrances-Hoad<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nThree Sitwell Songs<\/h4>\nWalton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
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Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Walton<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nFive Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Five Larkin Settings<\/h4>\nHuw Watkins<\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nEt plusieurs chants de Arne, Britten, Gurney, Muriel Herbert, Howells, Muriel Herbert, Maconchy, MacMillan, Moeran, Purcell et Vaughan Williams<\/h3>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
Chants vari\u00e9s<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\nSix Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
<\/h4>\n
Six Elizabethan Songs<\/h4>\nArgento<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
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<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nSei ariette di camera<\/h4>\nBellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
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Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Bellini<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
\u0417xo \u041f\u043e\u0435\u0442\u0430 (The Poet\u2019s Echo) (Op.76)<\/h4>\nBritten<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCanciones Amatorias<\/h4>\nGranados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Granados<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nCuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Cuatro Madrigales Amatorias<\/h4>\nRodrigo<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\n<\/h4>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_column_text]<\/p>\n
Musique de chambre<\/strong><\/h4>\n[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbcenter\u00a0\u00bb][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb42″ down=\u00a0\u00bb0″][vc_column_text]<\/p>\n
<\/h4>\n<\/h4>\nCaris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Caris mere (pour soprano et alto)<\/h4>\nKancheli<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nAdieu (pour soprano, alto, harpe and fl\u00fbte traversi\u00e8re)<\/h4>\nMilhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Milhaud<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nDer Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Der Hirt auf dem Felsen (pour soprano, clarinette et piano)<\/h4>\nSchubert<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nBachianas Brasileiras No.5 (pour soprano et orchestre de violoncelles)<\/h4>\nVilla-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Villa-Lobos<\/b><\/h3>\n[vc_separator type=’transparent’ position=’center’ color=\u00a0\u00bb thickness=\u00a0\u00bb up=’15’ down=’15’]<\/strong><\/h4>\nChants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t
Chants de lute de Campion, Caccini, Dowland, d\u2019India, Johnson, Lambert, Lawes et Rontani<\/h3>\n
[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb40″ down=\u00a0\u00bb0″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]\n\t\t\t
<\/p>\n\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t